The Fiftieth Gate: An Australian case study in twentieth-century 'popular' publishingMark Baker is one of a self-selecting group of writers, labelled in media and critical commentary as 'second-generation' Holocaust survivors. Such writers focus their skills upon stories of the Holocaust or its aftermath but consider themselves to be real writers, not merely family historians or witnesses to their parents' plight. The Holocaust is a significant driver of the second generation: testimony and memorialisation require publication, and it is through writing that members of the second generation attempt to make sense of the legacy of 'an event not personally experienced' (Berger 1997, p. 1). By publishing The Fiftieth Gate, Baker is following the tradition of second-generation writers, Australian and international, who strive to make sense of the meaning of the Holocaust in their own lives while fulfilling the eyewitness dictum to 'bear witness' (Levi 1987, 1989; Wiesel 1995).
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